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Monday, February 11, 2013  
REVIEW: MC EIHT - KEEP IT HOOD EP


It is very seldom in hip hop where a veteran mc/rapper can come back with critical acclaim and release a project that can hang with what is relevant still today. Aaron Tyler aka Mc Eiht releases a 7 track EP for the fans as an appetiser before he drops Which Way Is West?, which he is working on with Dj Premier. And also to continue where he left off on Kendrick Lamar's M.A.A.A City feature.

Eiht has not lost his charm and his trademark "geah" which makes for a great recording.

Produced in its entirety by Austrian producer Brenk Sinatra. And features turntable scratches by Dj Premier.

THE REIGN has Eiht flowing over the track like he has not been gone for that long, it feels like he has been her forever. Dj Premiers scratching adds a dope feeling to the track.

BIGG has got a bit of that west cost bounce to it. Very soulful production with vocal snippets in the hook and scratches makes for a Wow moment when u listen to this track. Mc Eiht is the rappers, rapper.

811 is that head nodding track that you just bump when you just chilling with some brews and bud. Love the add libs. This is so 90's - gotta love it man!

The tracks are good so no need to press the skip or fast forward button here.

Producer Brenk Sinatra beats are diverse and not all sounding the same.

Yes I love it and I am sure you will too.

Avid fans of Mc Eiht and C.M.W would enjoy this abum. So for now we just have to be content with these dope 7 tracks till we get to hear Which Way Is West?

Remember Its All About The beat!
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E-40 AND TOO $HORT - HISTORY FUNCTION MUSIC

Sunday, December 02, 2012  



Where do I start? E-40 and Too $hort on the same album together for 17 tracks and more? This is heaven! The two bay area legends came together for this project, after working together on songs on each others projects for the last 10 years and more.

History: Function Music starts of with the quirky THIS SHIT POUND.

SLIDE THROUGH is straight gutter funky. It has that trademark bay hyphy sound ready to make you bob your head. 40 is such a skillful rhymer, you can't mess with dude. Always entertaining the listener. Too $hort on the other does not dissapoint at all. Tyga rips the final verse to pieces just like he can.

For two dudes over 40 years of age they are really giving the young guns a run for the money when it comes to good quality rap music. When it comes to 808's and deep bone rattling bass, SMOKE THAT SHIT does the job. A constant bass makes the dick hard right here! Insane I tell ya.

$hort just parlays and shows us why he was born to mack. On LET'S HAVE A PARTY 40 shows why he is such a great storyteller. Attention to detail is king here.

Veteran producer Rick Rock whips up the riot inciting BOUT MY MONEY. With a simple moog sounding baseline and chanting it will surely make your party get out of hand, R&B crooner Jeremih Spits a verse on here.

E-40's son Droop E provides the soundscape for the haunting SAY I with its funny hook. The beat slams and repeat playing is a must. This track is all about driving drunk (DUI). It features Wiz Khalifa who surprisingly murders the track pieces. A must listen! 

WEST COAST SHIT (featuring Ice Cube) is another quirky sounding beat by Tone Bone of League of Starz gets the party knocking. Quirky is good, not a too serious track. Don't forget the west coast throws the best parties.

Pure bouncing snares and dirty bass over here. Music strictly for the trunk.

Producer Decadez gets featured prominently on this project, TOASTED is one of them. Thumping bass again and again. To some it will take some time to get used to the bare bones production but its does the job.

On the final track CALI the two pay homage to the golden state. Reminds me a little of California Love with the vocoder in the hook.
All in all this is a go!

Remember its all about the beat! 

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Kendrick Lamar - good kid m.A.A.d city - Review

Monday, October 29, 2012  
King Kendrick from the C - O - M - P - T - O - N!

Kendrick Lamar follows in the footsteps of great rappers like Ice Cube, Mc Ren, Eazy- E, Snoop Lion(Dogg), Eminem and 50 Cent of having the opportunity to have Dr. Dre co-produce and executive produce their albums. Keep in mind the good Doctor has the midas touch.

Good Kid m.A.A.D City (GKMC) is a very dark and sinister rap/Hip Hop album, taking you deep into the streets of urban America, Compton to be exact.

No gang affiliation here. But the stories Kendrick Lamar aka K.dot relays via his rhymes comes across straight forward. A very mature rapper and his topics are not ignorant as most of todays new artists out there.

GKMC continues where NWA left us with Niggaz4life.

Topics are grim and dark. No party jams. You can see that Dre put this album together. All the tracks flows seamlessly together with skits just like a mini audio movie.

Although Dr. Dre did not produce a single track on the album one can clearly hear Dre's influence on the album. Each track is crisp and clear. The snares hit spot like a good whisky shot. Despite so many producers contributing to the album its cohesive.

Tha Bizness whips up the first track  SHERANE a.k.a MASTER SPLINTER’S Daughter, which starts of with Kendrick's amazing ability to tell a story, which is missing today in much of today's braggadocious Hip Hop.

BITCH, DON'T KILL MY VIBE is a definite favourite with the hook, "I'm a sinner, whose probably gonna sin again, lord forgive me, lord forgive me, things I don't understand, sometimes I need to be alone, bitch, don't kill my vibe ... ". Sounwave cooks up a somber track that fits K.Dots flow like a glove.     
BACKSEAT FREESTYLE is an absolute stunner. It producer Hit-Boy smacks you with a right hand jab across your face with a beat that's made for the clubs. Dr. Dre features on COMPTON and THE RECIPE. The veteran producer doesn't feel out of place as he holds his own with Kendrick.

MONEY TREES featuring fellow Black Hippy member Jay-Rock is so smooth like butter with a thumping snare conjured up by DJ Dahi. Head nodding and sing-along shit right here. "...Money trees is the perfect place for shade..."

The sample of Roy Ayers "We live in Brooklyn, baby" is instantly recognisable when GOOD KID begins, with Chad Hugo and Pharrell Williams on the hook. 

A stroke of sheer genius ala The Thrones "Murder To Excellence" must be the feisty M.A.A.D CITY which is basically two tracks in one. As the hook goes "... where you from nigga, fuck who you know, where you from my nigga, where your grandma stay, huh my nigga?, this is maad city ..." Fellow veteran and CMW frontman MC Eiht lends a verse on the second part of the track.  This track takes you back to the days when the west ruled rap.

Canadian rapper Drake pops up on the Janet Jackson vocal sampled POETIC JUSTICE. Just Blaze's trademark over the top production bodies COMPTON. The magnum opus on this album. The before mentioned THE RECIPE appears on the deluxe version of GKMC, produced by Scoop De Ville it had heads nodding a few months back and still sounds good.

Kendrick is the D.O.C of the digital age.
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Are Producers Becoming The New Superstars?

Tuesday, September 25, 2012  

Since the beginning of Hip Hop the beat has always been an essential part of a song. There wasn't much attention given as to who produced the songs. It wasn't that important. It was always the MC and the DJ commanding your attention.

Today I personally check for what producer is producing an album or track. I am a beat fundi and I give every new track for the most a 15 second listen before I decide if I am gonna listen to it further or not.

But I'm not at a point where I'm not gonna give new producers a listen because I'm all for giving new talent a chance.

As of late producers have become the focus point in Hip-hop. With producers having a signature "blurb" in the beginning of all tracks that they produce. In the early days of Hip-hop a lot of producers were doing "ghost" producing, ie. Large Professor did tracks for Eric B & Rakim. But he was not credited for it.

Today big name producers will get in other younger talented guys to produce for them and then pass it off as there own or just get added in the credits as a  co- or additional producer.

One should also not get confused between a producer and a beatmaker. Today we have more beatmakers than producers.

A beatmaker will sit with his laptop and knock out tracks and send them to his or her respective clients and they will then take it further. Whereas a producer will take full control of the song from creating the bare track right through to sequencing and vocal arrangement.

With the breakneck speed that technology is moving at nowadays it has produced a host of beatmakers and producers. So competition is really stiff with everybody looking for that mew sound and producers/beatmakers imitating existing sounds.
   
Music producers like Timbaland and Swizz Beats have stepped up from behind the boards to the forefront and claimed the spotlight also for themselves.

So are today's music producers the new super stars?

Remember it's all about the beat!
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G.O.O.D Music - Cruel Summer - Review

Saturday, September 22, 2012  
The much talked about and long awaited G.O.O.D music compilation is here ...

And as with all projects that Kanye West touches it turns to gold and sold.

TO THE WORLD
- Kanye West & R. Kelly
R. Kelly has been making a lot of appearances on rap records as of late. With rolling snares, heavy percussion and deep down bottom ends Kanye drops one verse where he mentions Mitt Romney and shares his views on the current political climate. Just an intro track here to set you up for what's coming up ahead.

CLIQUE
- Big Sean, Jay-Z & Kanye West
A track which Big Sean recorded first and then Jay-Z and Kanye joined him later. A very catchy and head nodding beat crafted by producer of the moment Hit Boy.

MERCY
- Big Sean, Pusha T, Kanye West & 2 Chainz
The #1 US summer anthem features a vocal sample from the reggae song
Dust A Soundboy by Super Beagle which no one really knows what is being said but still gets the club jumping. Each of the featured rappers display there own unique trademark flows.

NEW GOD FLOW
- Pusha T, Kanye West & Ghostface Killah
The album features the extended version. Over a rolling drum pattern and piano loop, Pusha T makes this track his own. Stepping up his game Pusha Ton murders fellow rappers making him a contender for great things to come.

THE MORNING
- Raekwon, Pusha T, Common, 2 Chainz, CyHi Da Prynce, Kid Cudi & D’Banj
A brilliant cut with D'Banj rocking an awesome hook. Raekwon flips the first verse as only he can do best. Make no mistake he does his thing. Love this one, makes for pleasurable listening. Reminds me of So Appalled on My Black Dark Twisted Fantasy. 

COLD
- Kanye West
The track formerly known as Theraflu, which begun the whole Kanye - Kim public relationship.

HIGHER
- The-Dream, Pusha T & Ma$e
I love this jam, its so Cruel and smooth. Featuring The Dream on the hook it has an Eastern flavour to it. Eerie and scary it just shows the genius of Kanye West and what he is capable of putting together. The breakdowns in the track really compliment rappers Pusha - T and Ma$e.

SIN CITY
- John Legend, Travi$ Scott, Teyana Taylor, CyHi Da Prynce & Malik Yusef
This sounds and feel like it should have been on My Black Dark Twisted Fantasy. It has all the elements of that album. End of the world type of feel right here.

THE ONE
- Kanye West, Big Sean, 2 Chainz &  Marsha Ambrosius
A laidback track this one. Very nice I must say, percussion and rums all over with a great vocal from Marsha Ambrosius.

CREEPERS
- Kid Cudi
Creepers is a real feel good track. Dan Black long time Kid Cudi collaborator knocks out the beat on this one, a busy track that has Cudi rapping and singing over a staccato beat. Some great things Cudi is doing here just love it! 

BLISS
- John Legend & Teyana Taylor
The only non rap track on here. Has a bit of a little 80s movies feel to it. Teyana Taylor give a bit of a lacklustre performance, but when John Legend gets his turn, it will be his soulful vocals that will make you take note.

DON'T LIKE (REMIX)
- Kanye West, Chief Keef, Pusha T, Big Sean & Jadakiss
Chief Keef can count his blessing that this track made it on her giving him much needed exposure after all his woes on twitter. A solid track right here that put producer Young Chop on the map. Sing a long material right here. The G.O.O.D music collective murders this lyrically to pieces.

From what one can pick up from this project is that Kanye made sure his protege Big Sean is featured prominently on all the big songs on here. He has grown as an artist and he will take it far in the feature.

The way certain track just flow into each other is amazing. Makes for a perfect listen, i.e. The Morning into Cold and Higher into Sin City.

I expected to see Perfect Bitch on here but maybe it will surface later.

In closing I would have to say a solid performance from the G.O.O.D Music team.
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Friday, August 17, 2012  
For the last year or so Tauheed Epps better known as 2 Chainz have appeared all over the show. Doing features on nearly damn well everybody's albums and songs. With witty lines and a distinctive voice, he immediately garnered himself fans and a record deal with Def Jam. Not to forget the co-sign from Kanye West and his G.O.O.D music outfit. 

After all the wait he finally steps out and brings us Based On A T.R.U. Story.

YUCK!
(feat. Lil Wayne)
Starting this debut solo outing off is a track done by Street Runner. Some heavy strings and a so stupid kick drum sprinkled with a dash of 808 makes for a perfect start to this debut. Lil Wayne pops up here to assist 2 Chainz with the hook. Lyrics so far on point.

CRACK
Go to trap beat maker Drumma Boy lays down this one. Above average track.

DOPE PEDDLER
This track features a vocal sample by Tom Lehrer song The Old Dope Peddlar. This is one of my favorites. A surprise track right here. Not a typical Zaytoven beat but it does the job quite well. The bottom ends (808) and drum track here is disgustingly good. A bit irritating in the beginning but you will love it later.  Tauheed  has punchlines for days. 

NO LIE
(feat. Drake)
The #1 Gold selling first single of the album features Mike Will from the Eardrummas on the beat. Drake adds a verse and the catchy hook. This is one of Drakes memorable sing-songy choruses.

BIRTHDAY SONG
(feat. Kanye West)
2 Chainz has this thing to do songs for strip clubs and trunks of cars. This one is no stranger either. This second single features a beat by fellow Atlanta native Sonny Digital. Also features a co-production credit for featured rapper Kanye West. 

I’M DIFFERENT
Another favorite of mine is this one. DJ Mustard who did Tyga's RACK CITY, did this one. Some familiar sounds here but it works for me. With a bare bones track and piano loop running through, 2 Chainz goes in hard and fast and rides the track like a pro. Dude sounds hungry right here.

EXTREMELY BLESSED
(feat. The-Dream)
This one surprised me. With The Dream on the hook and Lex Luger on the beat its a 360 degree turn from your usual Lex Luger sounding tracks. You can hear Luger's trademark 808 bottoms making noise here. Lovely drum track.

I LUV DEM STRIPPERS
(feat. Nicki Minaj)
Third single and video feature Nicki Minaj you can call this one Beez In The Trap prat II. This one sounds like its for the strip clubs/shake junts. Predictable.

STOP ME NOW
(feat. Dolla Boy)
Tauheed teams up with former Playaz Circle partner Dolla Boy on here. Besides this track they still work together managing a studio in Atlanta. A lil break from the "trapesque" beats this track is good to go.

MONEY MACHINE
The 2nd Drumma Boy cut. Laidback one here giving Chainz the chance to flip his flow about his riches and coming up in the rap/trap game.

IN TOWN
(feat. Mike Posner)
With so much trap beats you wanna take a break from it all. Mike Posner adds a beat and vocals to this right here. I love it, its this projects "sex jam" raunchy and hot. This starts of like a love ballad, but I love it though.

GHETTO DREAMS
(feat. Scarface & John Legend)
John Legend adds his vocals here while Houston legend Scarface lend his vocals on here.

WUT WE DOIN?
(feat. Cap1)
It producer of the moment and longtime 2 Chainz collaborator Mike Will delivers a solid track here. 2 Chainz truly feels at home here. Lol this song reminds me of Bands Make Her Dance. Solid track, make no mistake.

COUNTDOWN
(feat. Chris Brown)
A bonus track this one is for the dubstep lovers featuring Chris Brown. Not to bad.

At times this album reminds one of Lil Wayne's Carter III when it comes to lyrics and the overall concepts. This album also features bonus tracks on the deluxe version which have been previuosly released before ie. LIKE ME and RIOT.

In closing this offering is the ultimate trap album. 

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RICK ROSS - GOD FORGIVES I DONT (REVIEW)

Thursday, August 02, 2012  
Rick ross delivers his much anticipated God Forgives I Don't (GFID). After much criticism for delaying it and a seizure, he finally brings us his fifth album after waiting almost for more than a year.

With only 3 "trap" sounding beats this album is well rounded. Here are my thoughts:

PIRATES
Straight of the bad Ricky flows like a fat mack over this produced track. Kinda a great change from the trap beats we have been fed for the last 2 years and so on.

3 KINGS FT. Dr. Dre & Jay - Z
Just having Dre on your track already says a lot. And on top of that you have Jay - Z also on that. At first rumoured to feature production by Dre but Jake One steps to deliver a solid offering. Debates are still abound who wrote the verse for the good Dr.

ASHAMED
70's funk gangster soundscape here. I love it. Love the vocal sample used on this one. Ricky flows ever comfortably over here like he has not a care in the world.

MAYBACH MUSIC IV FT. Ne-Yo
The J.U.S.T.I.C.E league comes back with the fourth installment of Maybach Music. One can immediately pick up that the production team have added a heap of live instrumentation to their production. It ups the game in the muddled world of producers. This track basically sets the tone for thus album. Very funky and so jazzy. LA Reid makes an appearance at the end. 

SIXTEEN FT. Andre 3000
Another J.U.S.T.I.C.E league beat! This is clearly my favorite on GFID. With 3 stacks oodling comfortably over this laid-back smoothie of a jam. "When sixteen ain't enough" he croons the hook. Clocking in at 8 mins its worth a listen. The best track on the album over here.

AMSTERDAM
A total 360 degree turn from his normal production style. Cardiak delivers a mid-tempo song with Ricky feeling right at home here.

HOLD ME BACK
When this track out it garnered criticism from every where. Trap logic/fruity loop sounding this track comes across very mediocre for an artist of Ross' stature. This track sort of grows on you the more you listen to it.

911
I love the 808 on this one. Riot inciting. Surprising that 2 Chainz didn't pop up on here. First Ross rapped about his Maybach, then his Aston Martin now he is on his 911. Not as smooth as the others. A lil sinister but good enough for me.

SO SOPHISTICATED FT. Meek Mill
When I heard this track I thought Jahlil Beats had a hand in producing this beat. But The Beat Bully did this one.

PRESIDENTIAL FT. Elijah Blake
Pharrel pops up here with this one. As you take listen further with this album you can see Ross had an idea of having a unified sound in mind for all the tracks. 

ICE COLD FT. Omarion
MMG newcomer Omarion adds his vocals to this ditty. The beat here slams and bounces. 

TOUCH N YOU FT. Usher
This one you all should have heard before. Something for the radio and MTV.
Production I have to say is good, not to much just right.

DICED PINEAPPLES FT. Wale & Drake
A piano loop runs through here as Wale flows his trademark style Assisting Ross. Drake does the hook - singing. This is more album filler to be frank.

TEN JESUS PIECES FT. Stalley
The JUSTICE League pops up again on the last track on Rickys 5th album. With drum rolls and great live instrumentation this track makes it a great ending to this album.


In closing 3.5/5 is what I think about this offering. A pity Mike Will didn't contribute to this offering. Its good.
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The Baphomet Theory - The Link Between Popular Culture And The Occult, What Do You Believe?

Wednesday, July 11, 2012  

For as long as I can remember I have been exposed to books and documentaries that has to do with the link between popular culture ie. music, movies, games, and the occult.

Baphomet as far as I have read, is the higher "satan" type being which popular artists pray to and sacrifice to in exchange for excess fame and riches.

During the 80's at a church youth evening and through friends I was introduced to theories about popular musicians worshiping satan. I remember a producer friend of mine from Belgium giving me a book, which included some of my favorite musicians alphabetically noted from A to Z that was implicated as to being involved in the occult.

Most people, when exposed to material of this nature tend to believe it. They believe what they see and make others believe what they believe. In this day in age with society going to the dogs, it is possible to believe anything.
I can remember going to youth at church on Friday nights when I was 15 years of age. One evening our youth leader was playing Beatles and Elvis vinyl records backwards. By doing this a voice was heard. A subliminal message was being conveyed via music from satan. For a young teenager this was mind blowing. Inside you suddenly have this urge to go home and break up your record collection.

Interesting stuff right there. As a young teenager I was impressionable but it didn't bother me as my mother was a big music enthusiast. Mind you I had more important things to worry about than hidden messages in music. Girls, clothes, alcohol and parties on my mind.  

Growing up in a culture of rock, heavy metal and skateboarding I was already exposed to things satanic. The music was already off radar. Our clothing was questionable. Which in my mind was just a sign of rebellion against the apartheid system of the time. Hard music with swear words and hand signs that made us feel good. A teenagers life wasn't that grand like it is nowadays. Needless to say all this talk about the occult and its ties to popular culture is really some scary stuff.

One night back in 2001 after a weekend of debauchery and hard drugs I went to a friends house to have a few drinks. The beer was flowing and then later he pulled out a (another) book that contained an A to Z of artists that the author claimed to be having occult links.

Remember that after a weekend of drug usage I still had some drug remnants in my system. And naturally I freaked out that night. It felt like I was possessed at that moment. I told my friend that I am leaving as I couldn't take this dark feeling I was experiencing at that moment.

Maybe the lesson learned there was don't do drugs.
  
Recently I stumbled on a DVD that addressed this topic. It was so far fetched  I actually didn't even pay attention. It implicated gospel singers, a popular church network and actors. That was when it just got way too much. I took it with a pinch of salt. But what kept on coming back to me was, why would somebody or people release material like this. What do they have to gain out of this? Today we all strive for financial freedom and to excel in our careers and gain recognition. Is this what they are looking for? Is this what they want?

Symbolism in music videos, movies and games are rife. Does it mean anything? I don't know but its interesting and makes for that never ending search for the TRUTH.  

Are these whistle blowers doing us good or doing us harm?
  
But this same topic has been coming up year in and year out. Is it the truth or just another conspiracy theory. The onus is on you the individual to make that decision whether you believe it or not.
I chose not to name any of todays popular artists as you can do your own research and choose to make up your own mind on this topic.

Remember At The End Of The Day Its All About The Beat!
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ITS JUST MUSIC

Wednesday, February 01, 2012  
Getting access to new music today is way more easier and faster than it was 15 years ago. With the advent of internet and mobile technology, getting new music is just a click and a few or more seconds away. No longer are we behind the rest of the world when it comes to hearing the latest releases.

A few years ago it would take a month or more until you can wrap your jam and peanut butter covered hands around a new album or single.

Even then you would not even have an original copy. A cassette copy would have to suffice that you dubbed from a friend, who in turn got it from a friend that got it from another friend. You could also mail order a few vinyls, cassettes or CD's from overseas or place a special order with your local music store.

This of course would cost extra, but you didn't mind as what you have ordered was good quality music that you wouldn't get anywhere. But with local record companies licencing deals these orders would become illegal. Rap and Hip-Hop music would become only exclusive to those few who had the right connections.
I remember that I used to beg, borrow or steal just to have the latest Master P or Too $hort disc. And that would keep me busy and happy for the next few months.
But the explosion of the internet and new technology has changed that. And today with all major music stores having online stores it has become the norm to get hold of your favourite recording artists album or single.

Then we move along to illegal and legal download websites where it will take you  a matter of seconds to get hold of anything you want from Russian rappers Kacta to South African rapper AKA. The world is literally in the palm of your hands.

Gone are the days of a bad copied cassette tape making that hissing noise or cassette decks eating your away at your tape. Now its iPods playing back crystal clear sounds that you have acquired a few minutes ago. 

Where are we going to from here? So far it looks like "music on demand" looks like the future. This is already up and running but limited to a few first world countries.

If you can read this, thank a teacher!
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IT'S YOUR SONG

Wednesday, February 01, 2012  
The new year is finally in full swing and I have been slow as to start this new year. It seems that I'm doing exactly the same shit as what I was doing last January and February.

The music that has come out so far this year is a little different though. So far I have this gut feeling that this is going to be a better year musically than last year. So in my opinion there is a lot to look forward to.

I have picked up on a few hidden gems out that has surfaced recently. Guys like Big K.R.I.T and Schoolboy Q just to name a few. Fairly new artists that bring another viewpoint and message to this music genre that we love so much.

I am first a beatlover, lyrics comes secondary. If it wasn't for the beat then there would just be boring acappellas without no rhythm. It is the beat that communicates with your body saying, "Hey look here man come on, get down and boogie with me".

Your life surely has a soundtrack, which one is your theme song? I have too many to mention. But one song does stand out. Taken from his debut solo album, No More Glory, MJG's Good Damn Man, is my theme song.

When I think about my life and what people's recent opinions about me, Good Damn Man wins hands down as my theme song. It describes my struggles and my triumphs. 

I personally cannot go without music for a whole week. Its like my drug, it keeps me going. And it has to be as LOUD as possible. Loud music brings people together to have a good time and reminisce about good times past, present and the future.

When the webmaster and owner of www.africasgateway.com comes down to Cape Town we always have a music listening session. Loud music and fine wine goes together. Now and again we will throw a chop on the fire and enjoy the music. 

Next time go look and see if you can find your theme song for the life that you have lived.

If you can read this, thank a teacher!
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Rick Ross - Rich Forever (Review)

Monday, January 16, 2012  
With his second mixtape Rick Ross knocks the competition out with a 20 track opus that comes off more like a full album than a mixtape.

Released a lil' over a week ago, (it wasn't all good a week ago) it has already made trunks and iPods rattle all over the globe. Ross' album God Forgives I Don't, was supposed to be released on December 13th but due to Ross' ill health it was pushed back.

So to wet the appetite of fans he released the Rich Forever mixtape. He has also been previously praised for having the knack of choosing the perfect beats for his songs. Which is evident in this brilliant offering.

Filled to the brim with trap beats you won't easily touch the skip button on this offering. Rich Forever features high powered guest appearances from Nas, Drake, Pharrell, Kelly Rowland and P.Diddy. Production wise he enlisted a few newcomers and his trusty soundscape creators Lex Luger, Beat Billionaire and the Justice League.

The haunting STAY SCHEMIN' features a phenomenal verse from Drake, and shows that he can hang with the best out there and this verse should shut up his naysayers. Mind you all guest artists on here stepped up there game on here.

RING RING featuring Atlanta newcomer Future is a catchy tune that will make you head bob once aforementioned guest flips the hook. It's a track that has a little bit of a dancehall "ting" to it and I'm sure it will get a lot of play in the club.

One of the highlights on this tape is the Styles P assisted KEYS TO THE CRIB produced by The Inkredibles. There use of a choir type backgrounds and a oh so perfect snare makes for an, " in there like swimwear" beat. Almost eargasmic. 

The usual braggadocious lyrics is the norm here but Ross comes up with new ways to reinvent the wheel. It has been done before but his attention to detail and charismatic booming voice makes for very pleasant listen. 

Its gonna take a lot from Mr. Ross to top this with his upcoming album. That we just gonna have to wait and see.
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The Fear Of The Unknown

Tuesday, January 10, 2012  
The fear of not knowing what is gonna happen next or what lurks over the next hill. The fear of waking up and not having that person next to you anymore. 

Its kind of terrifying starting this new year not knowing what you gonna do or where you want to go. The fact that as humans we can't predict or see the future is what increases the fear in us. The fear of the unknown.

Sometimes you would have a game plan that will make you feel comfortable about the future that you are venturing into. If you have a plan for the new year and a back up plan then the word fear should not even be in your dictionary. Its like going into the bush with a fully loaded AR-15. Knowing that nothing can stop you from your journey.

So you have a plan to run through this year and fear is not even an option, you ready to blast every single wall out your way to survive the new year.

What just happened? You had a plan. A plan to conquer your fear of the new year. So instead of sulking when things don't go your way this year, you go back to the drawing board and tweak your plan.

Fear is just an emotion. A wall that can broken down, brick by brick.
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WHO WILL SAVE US?

Wednesday, December 14, 2011  
Who is gonna save you when comet Elenin hits?

Girls girls its all about them hey.

Why is that so? I had a perfect relationship a few months ago and for some time I thought I was gonna get married to her.

But low and behold I fucked up. Jay-z's "Blueprint 3" was in my player at the time. Songs like, "What they talking bout", "On to the next one" and "Star is born" was playing. At that time I thought I was invincible. But I messed up.

My love for the opposite sex is crazy. Currently I have affection for 100 girls ( I typed the number so that you can count). And yes they love me back, that is what makes it so complicated.

Last night I was with a girl that showed me that looks and age really doesn't matter. She made me realize that I am "The Man". So what I am the "Man". She was just there, looking oh so lovely while I was listening to Tech N9ne rapping about the devil etc.

So I'm a bit confused. Why you may ask. Why is it after being on this earth for 26 years am I still single? Is it because my feet smells or is it because I have armpit hairs that resemble a spider?

I am content though. Just last week my friend emailed me about a comet that will strike earth with so much force that would make sure the end of mankind. So I thought damn who will I go save? What girl would I go out and run like a Will Smith character and save? Answer: not a single girl. Reason being I have too many and I can't make my mind up.

Who should be the next Mrs. Goldstein? Who deserves a ride in the DB9? Who do I make breakfast for? Who is worthy of shaking her bootay for Mr. Goldstein?

I met a young lady few weeks ago and she is what I want in my life. She is young, sexy, intelligent and has a great personality. She makes me wanna live again. She is just like "wow". Yes I can go on and on about her but yes she is that amazing.

So if you are a guy, who are you gonna save? I would save Thalia, yes. But damn it would be a long walk to Elsies River. Seeing as the comet struck earth and flattened the green DB9. So the only option would be to walk, as my friend Andre don't want to part with he's Gary Fisher bmx frame.

So the DB9 is dead, bmx is out of the question though so what do I do? Walk? Yes I would walk to Thalia just to save her from vampires and little comet men invading earth. I think I can take them on seeing that I'm half jewish and bushman.
Most of my ex girlfriends never knew that I am jewish and would probably phone me as soon as they finished reading this. Why? You may ask? That I do not know myself but just mentioning them here is just an indication of my insanity and those damn little comet men.

I think that when these little comet men walk on earth we gonna have a big party. Dj Fresh will be playing and the Ciroc will be flowing. But I am thinking now does Thalia want to be saved? Who doesn't wanna be saved?

The mystery remains.
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Lil Wayne -

Wednesday, December 07, 2011  
I have been listening and following Lil Wayne's career ever since he dropped his debut album, The Block is Hot.

I think at the time he could've only been 14 years old. That was in Cash Money Records hey day. Today they known as YMCMB. A worldwide brand that has generated millions of dollars of records sales.

Over the years Wayne has matured from a young gun from New Orleans to a worldwide phenomenon (read: pop)

His latest album, The Carter Four has just recently moved 2 million units in the US.

He recently took a different direction in his music when started dabbling in rock, with a rock album and a love ballad How to Love.





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Friday, August 26, 2011  
if you have come across this page dont be alarmed.

this page will be up and running as from 01 DECEMBER 2011.


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